When searching Google for reviews of the Fender Mike McCready Stratocaster, a made in Mexico replica of Mike’s beloved 60’s Strat, you’ll mostly find positive things being said. Yes, the fretwork is great. The rounded fret board edges are super comfortable. The electronics quality is impressive. If you like relic’ed guitars, then yes – it looks cool. BUT at a cost of $1899 (I bought mine B-stock for slightly less) there are some things about the guitar that has prompted me to return it.

I’m not going to bury the lead here, so I’ll start with the biggest issue, the back of the neck. The McCready model is supposed to have a “worn in” neck back where the gloss of the nitro finish has been worn off. If you look at the photos provided by the Fender website, you can see what I mean :

First off, one of the reasons I bought this guitar was because I was hankering for a 60s Strat but I’m not a fan of gloss necks. This sixties-esque model would have solved that dilemma for me but for whatever reason, the one I received wasn’t very “broken in”. Yes the gloss has been dulled, but not to the extent as shown in the marketing photos. The neck is STICKY. So much so, that sliding up and down the neck is a chore. I don’t think this is intended by design, but an indication of Fender’s recent quality control issues. My guess is that this one made it out of the factory with the “worn in” neck barely worn. (Perhaps my expectations are unrealistic here, but I’ve owned other MiM relic’ed guitars with the neck back worn, and in those cases it was almost a bare wood feel.) For this reason alone, I was highly considering a return.

Secondly, after playing the guitar for a good while, I found the neck pickup especially dark. So much so, I had to EQ my amp differently from all my other Strats. It was dark enough that at first I thought the neck tone knob was turned down. It wasn’t. And even with amp EQ changes, I still wasn’t happy with the neck pickup sounds.

Third, the action upon receipt was HIGH. I’m not one of those guys who needs his action super low to enjoy playing. Many of my guitars have what I’d call “medium” action, but this guitar’s setup exceeded even my tolerance. (Granted this could be an issue with the shop I bought it from, and their setup – not the fault of Fender) I adjusted the action to meet my needs and it was much better, but when paying as much as you do for one of these guitars you shouldn’t have to make such an adjustment.

Finally, we come to the case. It’s cool that it comes in it’s own special case. I dig the brown tweed, and the yellow interior. However, the case is not the highest quality. It’s flimsy. It flexes easily. Setting it down any kind of non-level surface will prevent the locks from lining up. The stitching of the interior fabric is not the result of someone being shall we say, detail oriented. There are sloppy folds, and wads of fabric in the corners. Being used to my G&L cases, this one was disappointing.

In the end, I’ve decided to send the guitar back. This is an expensive Mexican model (if not the most expensive) and for that price point it should really be an awesome experience to own one. For me it wasn’t. At that price point you could buy impeccable Indonesian models from other manufactures with more features and better quality control. In fact, I might just forgo my desire for a 60s-like Strat and go with one of those manufacturers. Or better yet, another G&L might be in my future.